A
few comments from reviewers and press:
" First-time screen actress Morgan Bicknell and vet
Vermont actor and farmer George Woodard carry the film with their uncanny
performances, and Jacobson has once again forged a potent feature which
builds to a stirring final act punctuated by the intoxicating unveiling
and music of the fire organ, which is key to the emotional climax...Simply
put, it's a masterpiece . . . already ranks among the best films of the
year for me. Not to be missed."
Steve Bissette, Green Mountain Cinema
"A work of superior imagination with
such attention to human pain, the old people, the young people
. . . I loved it."
Grace Paley, Author and Poet Laureate
"It almost feels like eavesdropping. Jacobson's film
is that authentic and heart felt, a revelatory film, a triumph of community-based
production that challenges conventional ideas--about family and mental
health as well as about what can be accomplished with a modest budget
and a surplus of imagination. One of the most original movies I have seen
in a long time."
Greg Guma, Vermont
Guardian
"[Nothing Like Dreaming] is heartfelt, intelligent,
and shot with an assurance . . . Jacobson . . . is a gifted observer of
people colliding in civic and emotional space . . . . "
Ty Burr, Boston
Globe
"The film's emotional punch is every bit as powerful
as its intellectual one . . . with so much truth and beauty available
at that price, it makesyou wonder what Hollywood directors are blowing
their millions on. . . . "
Rick Kisonak, Seven
Days
"This movie is not like anything you've ever seen...
sounds that harken back to a pagan time... amazingly complex characters
to whom everyone can relate. . . ."
Christine Huggins, The Daily Dartmouth
" A terrific and deeply mesmerizing story."
Joey Kulkin, Connecticut Valley Spectator
"A gripping drama that anchors you strongly to a
sense of place ”."
David Somerstein, North Country Public Radio
"It draws its viewers through a long tunnel of multi-sensory
and emotional stimulation . . . such an amazing gift of story telling.
. . ." Kevin Forrest, The Vermont Standard
"Nora Jacobson hasn't made a film; she's put together
a road map...dealing with issues facing teenagers like death, loneliness,
guilt, friendship, empowerment and healing throughcreativity and art .
. . ." Jon Potter, Brattleboro Reformer
"This fine story unfolds with a great and simple
story line of youth, spirit, integrity, love, learning and hope."
Frank Vando, Akwesasne Phoenix, Volume 6, no.
23
AUDIENCE FEEDBACK
Judging from the
notes and e-mails we receive after screenings, the film has struck a chord.
Many people's lives are touched by emotional trauma, either through their
own experiences or that of a loved one. Many people can relate
to being the parent of a teenager, and everyone was a teenager and can
relate to the themes of trust, friendship, loss, freedom, anger, fear
and
growing up. .
. .
From adult audience members:
"Some of the best father-daughter scenes
I have seen in any film anywhere!"
"Great story, great premise”"
"Nice original treatment of familiar topics, no cliches”"
"Uplifting, touching"
"Off beat, real, unreal, mythic”"
"I felt amused, angry, sad, concerned, relieved
. . .”"
"A powerful, fascinating film"
"Beautiful, truthful work"
From teenagers (ages 15-20)
"I liked your film very much. It made me feel cathartic.
I just learned that word and I hope I've used it correctly. After your
film I felt clear and also full of emotion. I think that I really connected
with Emma. It was a wonderful movie, and I thank you for your understanding
of teenagers,love, predjudice (sic) and forgiveness. Thank you for putting
it into a film."
"I was SO moved by your movie. I cried the entire
time. having been a teen myself recently, it REALLY hit home. i think
the movie is SO true. . . ."
"You can't take your eyes off the screen but pay
attention because it has a great message."
"The way the film showed teenagers was right on.
Thank you for showing the down to earth complexity of life."
"An honest eye-opening movie about the life of teens
who aren't the usual teens in movies,they aren't worrying about prom,
they are just living and dealing with life and death the best they can."
"It made me think a lot and be entertained. I wasn't
happy when it ended."
From an audience member who caught our film at the
Lake Placid Film Festival and sent us this letter:
"Dear Vermont friends,
I saw "Nothing Like Dreaming" on Saturday evening in Lake Placid,
and thought that it was a fascinating, many-layered film. From the write-up
in the program, it was the most appealing film for the time slot, but
I didn't expect such a complex movie.
You have done a magnificent job of portraying the depressed
Mom and the schizophrenic fire organ builder, without dwelling on their
mental illnesses. They book-end the teen, who is essentially resilient
and has no chronic mood disorder. Her relationship with friends, parents,
and community members
is credible and compelling.
The encounter with the social worker, being so gentle,
backed up by the heavy handed police to take the organ builder to the
hospital rang true.
And the image of the fire organ builder emerging from the
state hospital, slightly dazed, and trying one more time to make a go,
was just right.
Your film is far more that a "Bildungsfilm" about teens in Montpelier,
VT. Thank you."
And from the father of an
eleven-year old girl:
"I've been meaning to tell you how I've continued
to think intensely about your new film. I felt staggered by the experience
of seeingit, especially being parent of an eleven-year old girl, just
at the beginning of her teenaged years. How do any of us survive that
decade?
But along with the direct, personal, visceral impact of
the film, I was so moved and impressed by the ways you balance technical
artistry and accommodation of what must have been hundreds of logistical
challenges with so much HEART. The film is so loving, and so probing--these
impossible-to-easily-answer questions you have posed are explored by such
human means: the movement of light across faces and hands, the shifts
in glances, the collisions of camarderie and fear. You've done a magnificent
job and I feel so very grateful. Thank you. Thank you. . . ."
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